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The play of light on water intrigues and challenges me today, much as it challenged the Impressionist masters a century ago. Like Monet, I love to set up my easel on a riverbank and attempt to capture the multiple reflections and the sparkle of sunlight as a gentle breeze ripples the stream. In my impressionist work, "A Summer's Morning," the reflections of sailboats dance on the crystal waters. I try to make my brush dance on my canvas, much as Monet's brush danced when he painted outdoors a century ago.

Thomas Kinkade